FICTION: Cress by Marissa Meyer

From the author's website

At a glance: young adult, romance, sci-fi, futuristic


From the author's website

In this third book in the bestselling Lunar Chronicles series, Cinder and Captain Thorne are fugitives on the run, with Scarlet and Wolf in tow. Together, they’re plotting to overthrow Queen Levana and prevent her army from invading Earth.

Their best hope lies with Cress, who has been trapped on a satellite since childhood with only her netscreens as company. All that screen time has made Cress an excellent hacker – unfortunately, she’s being forced to work for Queen Levana, and she’s just received orders to track down Cinder and her handsome accomplice.

When a daring rescue goes awry, the group is splintered. Cress finally has her freedom, but it comes at a higher price than she’d ever expected. Meanwhile, Queen Levana will let nothing prevent her marriage to Emperor Kai, especially the cyborg mechanic. Cress, Scarlet, and Cinder may not have signed up to save the world, but they may be the only hope the world has.

Luna comments

This is the third book of the Lunar Chronicles. I've already talked about the second book here.

Each book in this series is more or less based on a fairy tale. In Cress, a girl is locked up in a satellite for years, & used for her technological skills (which in many sci-fi or futuristic stories translates to hacking). Obviously she is a very futuristic Rapunzel.

Once again, the thing that draws me to this series is mainly the plot & the world. How this series is structured is that, with each book, the author properly introduces a new heroine (& a corresponding male protagonist). So by the time of book three, that's three of them, each with their own stories & their roles in the plot. It means a lot of travelling around the world, separating, finding each other again, carrying out activities in big groups with various roles allocated to them, so on. It makes the plot rather complicated & all over the place (in a good way) & quite interesting.

Although I think that the characters are starting to get more interesting - in this book, a new heroine is properly introduced (she's made cameo appearances before). Her name is Cress, & having lived in a spaceship by herself for most of her life, with only occasional visits from her overseer, she's a bit innocent & naive. Her knowledge of the outside world, especially Earth, mostly comes in the form of fiction, & hence her view of the world is very romanticised. So she & her occasionally inappropriate reactions were fun to read about :)

There are some other interesting characters too. Her corresponding male protagonist, Thorne, is a slippery character with a smooth tongue & comic relief value. So I like him too. He actually appeared in Scarlet, but there's more of him to see in this book. There's also Princess Winter, who makes her first appearance in the series. She's a bit loony, which is rather symbolically suitable since she's the princess of Luna (the moon). And then Winter's corresponding male protagonist, who acts as if it'd kill him to be nice.

As you can see, entertainment value (in the currency of potential for humour) is a major factor influencing whether I like a character or not.

The excitement is also building up now, as Lunar Queen becomes increasingly dissatisfied with the state of affairs on Earth (because she still isn't in power yet), & I'm really anticipating an all-over-the-place, lots-of-things-happening fourth book.

On another note, I don't particularly like the typeface used for the text of this series. It's pretty, & suits the futuristic setting well, but it feels less comfortable & flowing compared to the more typical-looking ones.


Closing

I would recommend this series for the plot. =] 

FICTION: Scarlet by Marissa Meyer

From the author's website

At a glance: young adult, romance, sci-fi, futuristic


From the author's website

Halfway around the world, Scarlet Benoit’s grandmother is missing. It turns out there are many things Scarlet doesn’t know about her grandmother and the grave danger she has lived in her whole life. When Scarlet encounters Wolf, a street fighter who may have information as to her grandmother’s whereabouts, she has no choice but to trust him, though he clearly has a few dark secrets of his own.

As Scarlet and Wolf work to unravel one mystery, they find another when they cross paths with Cinder. Together, they must stay one step ahead of the vicious Lunar Queen who will do anything to make Prince Kai her husband, her king, her prisoner.

Luna comments 

Scarlet is a retelling of Little Red Riding Hood. This is the second book of the Lunar Chronicles, which I'm quite enjoying so far.

The one thing that really draws me into this series is the plot & the world (which is also because it's intertwined with the plot). This world is set sometime in the distant future, with incredible technologies which we can't even dream of.

The most interesting thing is that there are two 'types' of humans - the normal Earthens, who live on Earth, and the Lunars who have colonised the moon. The Lunars are rather scary because they have a genetic ability to control bioelectricity, which effectively allows them to manipulate other people, physically & mentally. Furthermore, the Lunar Queen has set her sights on ruling Earth, which doesn't bode too well for mere Earthlings.

The plot of the Cinder, the prequel, was the retelling of Cinderella where the protagonist has become a renowned mechanic and a cyborg. The story in that was a lot more straightforward, but even then it was making various references to the Lunars and the plans of their Queen - greater plans which are further elaborated in Scarlet (which happens on the other side of the world). I expect the plot will get even messier, because there are two more protagonists to introduce.

As I said, the thing that draws me into this series is the plot. Things happen all over the world, various characters get into trouble, a lot of things happen. I really enjoy seeing how Meyer has woven the different threads of the story together.


Closing

The trouble with liking a book for its plot is that it's rather hard to talk about. Give this series a shot sometime :)

MOVIE: Big Hero 6

Image from Wikipedia

At a glance: Disney, futuristic, children's, humour, action


Summary

Hiro Hamada is a child prodigy with seemingly no direction in life until his brother, Tadashi, introduces him to the inventions being created in the laboratories of Tadashi's college. Amongst other things, he meets Tadashi's project - a personal healthcare robot by the name of Baymax.

Determined to get into said college, Hiro conceives of microbots - tiny robots which easily assemble and disassembled based on his thoughts - and presents the project to the Professor Callaghan. Professor Callaghan is impressed, and invites him to join the school.

On the same night, an explosion destroys the building, taking along with it the Professor, Tadashi and all but one of Hiro's microbots. However, the behaviour of Hiro's last microbot indicates that there are still other microbots in existence. As Hiro goes to investigate, with Baymax in tow, he starts to suspect that the explosion is not an accident, and sets out to find the one responsible for his brother's death.


Luna comments

It's a Disney animated movie. I'm a big fan of Disney animated movies, as are a lot of people I know. I really really enjoyed this!

I did really think the setting is awesome - both the idea & the execution. San Fransokyo. This is most probably because I'm Asian myself (even if I'm not Japanese), & so I really appreciate the effort they put into the film to make it an integrated eastern-western society. The cherry blossoms are a nice touch (though if you want to be cynical, you can also say that that's probably the cheapest & fastest way to make allusions to another culture), some of the architecture does give off the feeling of East Asian influence, & the number of East Asian-looking characters is pretty high. & it's not all East Asian- & western-looking character either - there are hints of different races in there. (Of course, this is easy for me to say, because I can consider myself as part of the 'included'.) In fact, most of the 6 heroes look like they're from different ethnic backgrounds.

The city of San Fransokyo - Image from Disney website

Okay, obviously not everything works out smoothly. The first few shots show so many Japanese signs I can't read them fast enough, & yet everyone speaks English, complete with mannerisms & slang of every other children's or young adult movie made in America. In fact, a lot of writing is still in English (e.g. Baymax's display screens). The names are all spoken with American pronunciations (so the protagonist's name is pronounced by almost everyone as HEE-roh & not hi-ro). The characters also act pretty much exactly the same way as you'd expect if they were Anglo-American. I don't have a problem with that. It's just an observation.

Yes, this is ultimately for an English-speaking audience, & for them, too many Japanese insertions would probably make the movie too jarring. Besides, this is still evidently set in America or some similar country.

That was a longwinded way of saying that I can see the work done to try to infiltrate the movie with East Asian touches.

& then the other thing is that this movie is not only more diverse than most in terms of the racial distribution, but also in terms of the body builds of the characters. One of my first thoughts, when I saw Aunt Cass, is that the females in this film are much chubbier than the females in a lot of other animated films (& I don't mean that in a negative way). Their proportions are closer to 'thin person' than 'toothpick'. Their heads are still massive though. Also, the males in this film seem to be the least bulked up. So that was nice.

Otherwise - it's a Disney film. So the animation is beautiful by default, & it's funny. =]

I really liked the characters as well. They're probably a bit stock-standard by now, but they're still likable.

Correction: Hiro is in a large part quite a typical protagonist, but I think he's a little less innocent & a little darker. The movie starts off with him winning a load of money from gambling, which even he acknowledges is "illegal" but "lucrative!" I think that made him a little more interesting. I also liked the closeness between him and his brother, & seeing how Tadashi's words shape Hiro's character.

Baymax is just cute =] & huggable. & often inappropriate for the context. It's hard talking about the character of a robot as robotic as him, but you can call him caring & loyal because that's how he was programmed. I also liked the relationship between him & Hiro, even though I found it a bit too similar to that of Hiccup & Toothless from How To Train Your Dragon 2. (It doesn't help that the characters have certain similarities too, although Hiccup is more heroic & has the very righteous air to him).

I also really like the character of the brother, even though he doesn't have much screentime.

The other characters are also pretty cool, but typical. There's a timid guy, a seemingly ditzy girl, a don't-mess-with-me-I'm-tough girl, & a guy made of pure weirdness. The much cooler thing is that they're 'nerds' & not really action heroes, but make up (kind of) for their weaknesses by using their inventions. Although in this film, cleverness is really just a stepping stone towards owning awesome gadgets, I still feel as if academic intelligence is portrayed in a definitely positive light, which is nice to see.

To me, what let the film down the most is the plotline. It was quite straightforward. Which isn't to say that it's not good - it's a suitable plot for this type of movie. I guess the mistake I made (once again) is that I expected a plot on the level of intricacy of Wreck-It-Ralph, which was not a good bar to set. But that's more in hindsight - I enjoyed the movie heaps when I was watching it.

There were some moments, though, as in almost any (American? sorry...) movie, which were a bit...doubtful. For example, the classic: we've no time to waste, so let's just show off this super-awesome thing we can do - by running super-fast in the opposite direction - before going off to do whatever it is we have to do! & the other: I have a plan! *does not try to immediately put the plan into action*

But because we're all so used to it, it's just something we have to get over in any film, enjoy the effects & the suspense, & then erase from our memories in order to ensure that we are left with the most coherent & logical sequence of events that the film can give us.

My favourite parts

• The opening scenes - Hiro's bot fight followed by the chase that ensues
• Introduction to Baymax
• The fight on the deserted island

Closing

I liked it! I'm also an oversized, overaged child, but it was really good! It was cute, pretty, entertaining, funny, & had a cool team. Highly recommended =]

ANIME: サイコパス (Psycho-Pass)

Unit One - Image from Wikipedia
From left to right: Kogami, Tsunemori, Ginoza, Kagari, Kunizuka, Karanomori, Masaoka

At a glance: futuristic, dystopian, mystery, cyberpunk, crime, sci-fi, some NSFW scenes, recommend 18+


Summary

In this highly developed world, people's mental health and tendency for crime are measured by the Sybil System. Of the most interest to this story is the measurement of the Crime Coefficient, which when too high indicates a person has a high probability of committing a crime. Such people are rehabilitated, or failing that, locked up or killed.

Akane Tsunemori is a newly-appointed inspector to Unit One of the Public Safety Bureau's Criminal Investigation Division. Soon, a certain pattern of deaths emerges, all pointing at a man who's criminal tendency cannot be measured by the Sybil System and so goes unpunished for his crimes. It is then for Unit One to go after him and capture him.


Luna comments 

I will be referring to all characters by surname.

I'm been putting this off for so long (about two weeks now) because there's so much I could say about this anime. I was at a complete loss over where to start, because there was so much I liked about it. Usually, I'm squeamish about the sort of violence & gore that's in this, but the concept, plot, setting & characters ultimately meant that I stuck to it.

In the meantime, I also watched Psycho-Pass 2, but I'll keep this review strictly for Psycho-Pass.

The setting of the world is rather easy to explain - it's technologically advanced, holograms are everywhere, & a centralised system makes measurements ('Psycho Pass') of all citizens, which include things like their Crime Coefficient, their Hue, & then data analysis on the history of their measurements. I really liked how bits & pieces of the world are revealed throughout the series, & I like how the technology is woven into every aspect of their lives, from holographic room designs & clothing changes, to the various hi-tech stuff they do inside the Public Safety Bureau. There's always something to serve as a reminder that it's a different world.

I thought every single character was done really well, or as well as they could have been given their screentime. I chose the picture above in particular because it features the members of Unit One, all of whom are awesome. I can talk about their awesomeness forever, so I'll restrain myself & talk only about the three most important ones.

Tsunemori is an awesome character. She has a lot of positive aspects - so many that, had the story been poorly written, she could easily have been a Mary Sue. But she doesn't give off that feeling. She starts off as a newly appointed inspector, innocent & naive & presumably blissfully ignorant of the violence & brutality that she eventually encounters throughout the series. She's the bordering-on-typical incredibly good character, in that she doesn't want to kill anyone no matter what the circumstances are. In the first episode, she acts in a way that simultaneously shows her potential while also casting doubt on her ability to pull off her role in public safety. But over the series, she becomes a seasoned & capable inspector. In hindsight, I think that her character development is done very very well.

You may now think that Tsunemori looks like a stereotypical character. I'd say that she plays a stereotypical role, but not necessarily a stereotypical character. & perhaps she is a stereotypical, but the way she's been characterised makes her quite different, or at least a distinct character in her own right.

Continuing on with being stereotypical - there's Kogami! The broody, silent, intelligent, observant one with a certain dark spot in their past & an obsession stemming from that. Someone who almost seems to have lost their purpose in life (except for that obsession) until, one day, some special person (Tsunemori) re-ignites a spark in them. Despite being so much like a character out of a YA novel, he's much more interesting than that - or maybe, as a general rule, his kind of character is interesting by default, no exceptions. I ramble. So much of the plotline revolves around some detail of him that, ultimately, I felt that he was the real centrepiece character of the anime, despite his relatively pitiable screen-time.

Another reason was that I felt he represented the dilemma of the world of Psycho-Pass. He's obviously one of those 'good characters with a dark side'. What do you do with a someone who's quite capable of squishing you like an ant? Are you sure you're comfortable with leaving your life or death at the hands of someone like that? Are you sure you're comfortable knowing that you'll live as long as they're happy to let you?

The villain, Makishima, is probably the most interesting, at least out of these character descriptions. He loves old literature, frequently quoting from them. He's also extremely twisted, & seems to commit crimes (read: murder) out of a cold, detached curiosity of human behaviour - it's like a game to him - how would you react if I did this? He's also charismatic & super-intelligent. All these things work together to make him very...creepy, for lack of a better word. Makishima is an interesting villain because he is so scary & so capable.

On the flip side, I found his character a bit weird. Maybe he's just so twisted that I can't work him out - I find him very intelligent & logical, & yet some of his decisions are hard to square with his sort of character. Even in the end, considering everything, I wasn't sure if I understood what it was that he wanted. So he's an interesting one to puzzle over.

Although the individual characters are awesome, what I liked most about Unit One is the feeling of family. It's hard to explain, but despite their roles & the fact that we only really see them at work, their interactions give off the feeling that their relationships are not merely professional - they actually do care for one another in a personal way. Which I liked =]

The plot is very good. Not only is the story engaging, but it also highlights the far-reaching effects of having a society stabilised by the Sybil System, even though it only ever deals with the police's point of view. The pacing is quite fast, & most if not all episodes end not necessarily on a cliffhanger, but somewhere that makes you (me) want to watch the next episode immediately. (Isn't it good that all the episodes are out?) Some of the criminals are pretty twisted, even more so than the twisted criminals you may see in contemporary police dramas & series. As the story goes on, you can see that that, too, is a side effect of the effectiveness of the Sybil System.

Initially, the story starts off as 'just' police detectives tracking down suspects using technology & intelligence, but when Kogami is pitted against Makishima, the battle of the brains becomes more intense & suspenseful. Things get ugly, people get hurt.

I really like how things all came together in the end - the plot, setting & characters - & contributed to the bigger picture of what is the Psycho-Pass society.

My favourite parts

•  I LIKED EVERYTHING...though I wouldn't have minded if it was less gruesome in places. (Also I can't do this without risking spoilers)
  

  

Closing

Watch it! It's really good!

It raises some interesting questions about what sort of choices we want to make about our lives - the sort of society we want to live in, the trade-offs we make to live a stable life sufficiently free of uncertainty, a person's nature against their free will, the value & necessity of negativity, & what exactly is the point of 'crime', 'law' and 'law enforcement'.

So, ultimately, a very thought-provoking watch. Highly highly highly recommended! For those old enough, anyway.